Maurizio D’Andrea’s Kinetic Abstractism

The international artist Maurizio D’Andrea, known for his abstract works filled with symbolism and deeply rooted in Jung’s psychoanalytic theories on the collective unconscious, represents a meeting point between emotional abstraction and visual dynamics. His art is distinguished by powerful gestures and brushstrokes that seem to evoke movement forcefully, almost introducing a new visual language that we could call “kinetic abstractism.”

Kinetic Abstractism, Maurizio D'Andrea Kinetic Art, an artistic movement that peaked in the 1950s and 1960s of the twentieth century, is based on the incorporation of real or apparent movement in works, exploring the visual perception of movement through the use of lights, mechanisms, and interaction with the viewer. This form of art has allowed artists to explore new dimensions of seeing and artistic experience, emphasizing the importance of the observer in completing the work of art.

Maurizio D’Andrea, with his abstract works rich in symbols and charged with visual and energetic dynamics, occupies a unique position within the contemporary artistic field. His ability to blend Jung’s theory of the collective unconscious with a gesturality that recalls movement, not only in physical terms but also emotional and psychological, opens new paths for the interpretation of abstractism.

His works, therefore, are not simple visual representations but become immersive experiences where the observer is invited to explore their own emotional and psychological reactions, stimulated by the dynamics and symbols present in the paintings. In this sense, D’Andrea not only draws from the kinetic art of the past but proposes his own personal and innovative “kinetic abstractism,” where movement Maurizio D'Andrea and energy do not derive from physical mechanisms but from the evocative power of his works.

D’Andrea’s search for a new kinetic abstractism, therefore, represents a bridge between the past and the future of art, showing how psychoanalytic theories can find new life and expression through abstraction and movement. His work invites a broader reflection on the role of art as a vehicle for exploring the unconscious and the depths of human experience, proposing an ongoing dialogue between the artist, the work, and the observer.

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